Saturday, December 20, 2014

Interview with Vaishali Shroff


Our guest reviewer Rachna Dhir is happy to share with you all an interview with author of Raindrops, Ari and The Missing Bat, Vaishali Shroff.


Vaishali, your son Arinjay is the inspiration behind your latest book - Ari. Please share the story behind the story

I always try to write stories that parents and children alike can relate to. Stories that drive home less talked about problems that many kids face.

As a child I was just like Ari. I remember coming home from school and sitting before the mirror after being rejected in school concert shows. I could never run to the teacher and confess that I think I can do it. I preferred to hide. But I still used to wonder why not me. Till I accepted the cruel fact that may be I wasn't as good as the others.

My son decided to do something about his ordeal. That's when I realised it needs to be told. Ari needs to stand up and be heard by parents and teachers who may have failed to see the true potential so called introvert children bring to the table. The real fireflies with an inner glow vs the butterflies that everyone loves to chase. The trauma that comes along with being labeled as an introvert and constantly told that you're someone who cannot perform as well as the outspoken kids can dent young minds for life

Having said this, I am not trying to say that extroverts lack potential. This is only about the other half that can do it but lack the opportunity.

You are a writer, editor, columnist, and story teller-
Tell us how it all started?


I have been writing ever since I can remember. I started off with poetry. My first publication was a poem in The Indian Express during the 1993 Mumbai riots. I cannot ever forget how it felt!

Those were the days of fan mails and receiving letters from places far and wide, from people young and old including soldiers posted in Sikkim! . The encouragement to write more made me think I am destined to write. Thus began this amazing journey that happened alongside my corporate life.

Subsequently I also started a storytelling club for children in 2009 in Pune and now continue the same in Mumbai as well.

Your first book was Raindrops, also with Tulika. It was very different from Ari - both story and look and feel wise. What was the inspiration behind Raindrops? Please include your other works too.

I've always drawn inspiration from real life events for my stories. My second book 'The Missing Bat' by Pratham Books was based on my travels in Kashmir. Raindrops, too, was a result of a personal experience with children. It's important that children are sensitive to the environment. That they think about things they see and experience around them. I like to bring that out in my stories.

Tell us about your childhood, your inspirations - what attracted you to writing? Who were your role models and mentors?


My mother always made me write. She used to keep throwing topics at me and I used to write. She used the Wren and Martin as a guide for she herself did not have a flair for the language. Writing became a huge part of me and slowly I realised how I felt better every time I wrote. The pieces were like highly guarded secrets tucked away under a pile of books so no one ever laid hands on them. Writing, in those days was never talked about as a profession like they spoke about engineering and medicine. So I secretly nurtured my passion thinking some day... May be....

You work across many media - magazines, CBSE readers, anthologies. Please share some favourites?

Any media only helps to take your story to a wider audience. With magazines it's interesting because you can talk about current issues and trends in the reading and writing industry. It felt incredibly proud and humbling to be recognised by the CBSE board as someone whose stories needed to be read by thousands and thousands a of children across the country. That feeling is simply indescribable. Yes, they will also give exams with my stories being part of the curriculum. Ha ha.

Anthologies are special because your story proudly sits next to works of some famous authors who you've always dreamt of being! :-

You have had memorable travel adventures with your son. May we hear some juicy details, please?

Ha ha ha. My son has this interesting knack of observing details about surroundings that one would never dare to imagine. To cite, we love going for wildlife safaris with him. At the end of one such safari he said, "I never thought tigers can be so scared. We enter the animal's house without asking them, chase poor tigers to take pictures, and some bad people even make noise. Who is the wild one? I always thought it was the animal."

Needless to say it's now a story :-)

Would you like to give aspiring story tellers and authors some guidance?

A good story needs to be told. While some stories make us fantasise and others make us realise... They all make us think about how we can make this world a better place. I cannot imagine growing up without Roald Dahl and Ruskin Bond and Enid Blyton and Dr. Seuss who I discovered along with my son (I'm still growing up!).

While people say that a writer is about their writing style I say Nay! A writer is all about the story and how long it stays with you after you've closed the book and put it back in the shelf along with many others.

My only advice to writers is to be honest to who you are and write only about what you strongly feel. Not what the industry demands and the reader reads. It's important to tell the story in a way that makes people think and say, "why didn't I think of this before!"

Please share details of some more projects you have done for children?

I've had many other publications for children which include pop-up story books, readers, various fiction and non - fiction articles for children's magazines, parenting columns, and so on.

Thank you Vaishali!


Life's got a little more beautiful with a five year old next to me and an infant nestled in my arms. It's tough but now I can only imagine how many stories I get to tell through it all :-)

Thank you for reviewing Ari. It's a book very close to my heart for a multitude of reasons. I secretly dream of Ari being staged as a play so that people can actually experience every word in the story and more. :-)

Friday, November 28, 2014

Okaasama Otousama


OKAASAMA OTOUSAMA
Story : Sandhya Rao
Pictures : Krishna Bala Shenoi
Published by: Tulika Books
Reviewed by Rachna-Dhir

Okaasama Otousama- (O O for short) is the perfect example of how to bring joy in children's lives in simple, uncomplicated ways! Why do parents want to take their children anywhere for them to "have fun" when we have such amazing books at our disposal?

I was reminded of my children's favourite Sandra Boynton books that used to travel with us to the doctor's, to the airports, on long car journeys.... The list is endless.

Children draw comfort from the familiar. Once they like a book, it does not take long for it to become a companion. After a vaccination, during high fever or an illness, after a tiff with a dear friend at preschool, during a long air or train journey- at all these moments that can be anxiety ridden or even traumatic, books can heal in ways that can be described as soothing or magical!

Borrowing the plot from the back page, "A joyful tribute to multilingualism that says Mother and Father in 18 different languages" from lands far and near.

Sandhya Rao has the key to children's hearts like few others and Tulika has their hands on today's children's pulse. With the multicultural world we live in, O O is such a welcome gift. I can imagine preschoolers on stage singing in different tunes - the lyrics being the same, of course.

Kudos to Krishna Bala Shenoi, the illustrator, to do thorough research and bring the words to life. He did an internship at Tulika while studying at Bangalore's Srishti School of Art and this book was the result. According to the jacket, he wants "to take young people places!" And does he succeed!

So - what are you waiting for? Grab your copy and please do tell me if I am wrong?

Saturday, November 22, 2014

Atisa and the Time Machine - In Search of Kalidasa


Atisa and the Time Machine - In search of Kalidasa
Author - Anu Kumar, Illustrator - Priya Kurian
Publisher - Jaico Books
Ages - 12+

When the whiff of history is still in the air, I thought it would be appropriate to present the book review of this new book on the stands. This is the third book in the series of Atisa and his adventures.

Atisa, a teenage boy, has been on various adventures already in his time travelling flying machine (the earlier adventures are detailed in Atisa and the Seven Wonders and Adventures with Hieun Tsang). This machine has magically transported him to various eras, making him come in contact with the significant historical characters of that time period and partake of the adventures of their time.

Now, Atisa is summoned to the Gupta period, through a distress call for help, which his special sound catchers capture. It is the reign of King Vikramaditya and a pot pourri of events unfold at the same time. The king is on his way back to the kingdom after defeating the Saka tribes. Something sinister is afoot in the capital, which the king is completely unaware of. The astronomer Varahamihira is concerned about the superstitions of the people surrounding the forthcoming eclipse. There is a mysterious man, whom everyone is trying to protect by all means and his identity is kept a closely guarded secret from Atisa.  Then there is a funny trader who pops in and out of Atisa's present and the past going back 1800 years. This is the situation in which Atisa lands. 

Atisa's flying machine comes like a boon to the good people of the Gupta period. They seek his help in getting across secret messages and scrolls to concerned people. The story is all about Atisa's adventures, where he crosses path with numerous interesting people like - the path finders who are adept in finding the ways through the dense jungles, the astronomer Varahamihira and his daughter Lilavati,  the crucial 'gems' of the Vikramaditya's court one of whom is the missing person and Fa-hsien, the Chinese monk who happens to be in India then. The attitudes, fears and the belief systems of the people of those times, are revealed beautifully through the story. 

The book has multiple angles, all of which come together in the end. It is pretty apparent that the author has done a lot of research to bring in the various elements of that period together in this fictious tale. For a person who would have just read the facts of the Gupta period, the book would be a delight as it strings the information together in a story garland. It motivates us to seek more information of that time period.

I personally would have liked to see the actual facts of the Gupta period presented briefly in the end or in bubbles through the book, like some historical fiction books do. So even if I pick the book without any knowledge of the historical background, I could have understood the context  better with this. For example, a litte more information about the king and his dynasty, the nine gems of the Vikramaditya's court or a brief write up of the famous temple in Deogarh which comes up in the story, would have made it more interesting. A tighter editing would have been welcome too.

Priya Kurian's wonderful illustrations which give life to Anu's words, pop up every few pages. If you are a history buff, it is not a book to be missed. History, Fantasy, Mystery - all rolled into a single package! To know more about the author, you can read this interview with Anu Kumar and her recent writeup for CROCUS 2014.

(The book was received as a Review copy from Jaico Publishers, but the views expressed are purely mine)    

Monday, November 17, 2014

ADIOS CROCUS 2014

What a ride down history lane! We are sure this edition of CROCUS has aroused your curiosity for books of this genre.

We brought you books, both non fiction and fiction, from magnificent civilizations- Prehistoric to Greek, from Egypt to Harappa, from China to Mesopotamia, traveling from India to Peru.

Praba and Sheela ably led the scheduling; Lavanya Karthik continues to surpass herself and delight us with the flyer. Sandhya, Rachna and Anusha, with their compelling posts, set the tone for the fest and the theme.

You would have noted most book reviews were clusters- so that you can keep coming back to us for more of the sub-genre! See...we love you.

We had master storytellers and history buffs- Subhadra Sengupta,  Geetha Dharmarajan, Anu Kumar, Mala Kumar, Suhag Shirodkar and Anupama Hoskere- share their  priceless thoughts with us. We sincerely thank all of them and are sure these posts will get re-read and shared many times over.

We have noticed and are grateful for the steady increase in FB likes for our page. We will try and keep at it and share links on that forum as well. Leave us your suggestions and comments, we are always happy to hear from you.

Thanks Little Reader's Nook, Bookalore and  generous friends and bloggers for spreading the word about CROCUS in more ways than one.

Thank you  participants for your response to the very innovative CROCUSWORD. And winners, congrats!

And as we maintain always, YOU, the reader, are our star.
Stay with us and the rest, as they say, is history!
 

The History Mystery Series






The History Mystery Series
Written by Natasha Sharma
Illustrated by: Various
Publisher: Duckbill Books
Age: 6+

As a history buff, I frequently  find myself  defending the subject’s honour when it is slandered by my school-going daughter and her friends. Not that I can blame them, really, as I passed through the same school system and know full well how a subject as fascinating  as this can be so easily reduced to stale facts, endless  lists of dates, and dull reverential commentary on long-dead greats. For me, History, is the story of ourselves – it isn’t just great wars , mighty political transactions and who-killed-whom-where,  but also the mundane, everyday actions and ideas and oh-so – avoidable blunders (Christopher ‘I-found-India’ Columbus,  Akbar ‘I’m building me a fabulous new city’ -   this means you!! ) that pave the road to who we are today.  So you have to cheer for a series  that offers you “mysteries you’ll never find in history books’.

Natasha Sharma’s History Mystery series is whacky and irreverent (Ashoka the Great blowing bubbles in his bath! Akbar having a hissy fit!) and very entertaining. Designed in the chapterbook format for younger readers, it sets its tales in different historic periods , with some suspense, many oddball characters and a great deal of slapstick comedy thrown in. It also cleverly weaves in a lot of factual data, sneaking a quick history lesson or two right past its unsuspecting , helplessly giggly, readers.


Akbar and the Tricky Traitor , the first book in the series, has that noble ruler fuming over slanderous comments made about him by a neighbouring king. Clearly there is a mole in Akbar’s court, passing on every thought the Emperor has almost as soon as he has it – but who? Enter the Super Six, a quintet of spies who then proceed to muddy the investigative waters a great deal, before clearing things up.

Ashoka and the Muddled Messages is reviewed in greater detail here.

Raja Raja and the Swapped Sacks cranks the laugh-out loud comedy up a notch, and moves the drama to foreign shores. Someone is waylaying the great Chola king’s cargo of spices to China and replacing them with trash. So Raja Raja’s top sleuth, Only One, sets out to catch the crook, armed with little more than his wits and a barrage of knock-knock jokes, only to be promptly waylaid himself – by pirates!

Each of these books end with an impressive reading list – author Natasha Sharma has clearly done her research well, and it shows in the details. Ashoka, did in fact, have an all-woman posse of bodyguards, (though probably not as goofy as the ten Ts the author bestows on him), and dyeing your beard all kinds of crazy colours was, incredibly enough, a thing! Akbar’s meals were actually prepared and delivered to him in the manner described in “..Tricky Traitor”. And in the time of Raja Raja Chola , hero stones were indeed the equivalent of  sponsored ads in the present day.

My one grouse with the books would be that their plots sound rather similar to each other - cranky king, bumbling spies who add to the confusion before sorting things out, treacherous courtiers. That said, the books are  great reads and  brim with ingenious characters - Ashoka's T10 and  Kalapathy Arrghety's shrewish mummy were my favourites.

Given how far back India’s history stretches,  and the plethora of dynasties, despots and aspirants to the label ‘Greatest of the Great’ that  now squabble for space in  the footnotes of our history textbooks – I  look forward to seeing where the History Mystery series  takes us next. 

I received these books as review copies from the publisher; the views expressed here, however, are entirely my own.

Images courtesy: Duckbill 

Interview with Suhag Shirodkar

I feel very privileged bringing to you Suhag Shirodkar, the author of a book that I think every child (or grown-up!) interested in Indian history must absolutely read. 

This book, titled ‘Captured in Miniature: Mughal Lives through Mughal Art’, is one of my all-time favourites and I had reviewed it here on Saffrontree. Do check it out.




Hello Suhag! Thank you for agreeing to answer our many questions!
First of all, please could you tell us about what inspired you to write this lovely book?
Children enjoy things that are small, to their own scale. Our twin daughters (then about 7) took a keen interest in books we owned on Mughal miniature art. They loved the scenes of war, where elephants stomped and horses reared and enemy heads lay scattered on the dusty battlefield. The pored over the court scenes, fascinated by the faces and robes of emperor and courtiers and the bejeweled Imperial Throne. So I started writing little notes for them, pointing out interesting things to look for in a miniature and asking questions that would get them thinking about the context or setting of a painting. The book came out of that assembly of notes.

And aren’t we glad you decided to do so!
If you could go back to the Mughal period for a day, which emperor’s reign would you choose and why? What would you like to see?
Perhaps I would enjoy the reign of Jehangir best, the empire very much shaped by Akbar and the aesthetic pinnacle of Shah Jehan still in the future.
The streets of Agra would be a delight to walk through, thronged with people from across Central Asia and Iran and Turkey. Observing the people and their dress and hearing many tongues spoken...being a part of the milling crowd at the jharoka darshan, when Jehangir made his appearance...wandering the bazaars...oh, it would be a busy day!
I would like to see how Nur Jehan had rose attar made -- the roses picked at dawn and brought in to some wonderfully fragrant factory I imagine -- many hands working and the attar being distilled, drop by drop.
And then to visit a kitabkhana - like the one thats depicted in my book. It would be wonderful to talk to the artists and understand the kind of world in which they created their collaborative masterpieces.
Too much to see in a day, thats for sure!

Some day, when time-travel becomes real perhaps!
Okay this could be a tricky one but let’s say you were asked to choose for yourself any of the miniatures created in this period. Which would you pick?
Several. All.
I particularly enjoy paintings showing ordinary people. Like Akbar Supervising the Construction of Fatehpur Sikri thats in my book.
And compositions like Miskins below, combining real and imaginary animals.

Practically speaking though, it would be too heavy a responsibility to own a Mughal miniature. If one came into my hands, Id turn it over to a good museum in India.

What do you like best about the Mughal culture?
Undoubtedly the visual aesthetic and sensual appeal. The Mughal aesthetic was stunning, permeating every aspect of royal and noble life. The luxurious carpets, the brocade robes, the gemstones and jewellery, the marble screens, the fragrant gardens with fountains and fish-scale waterfalls, the miniatures each a jewel in itself, the hilts of swords and scabbards of daggers, the poetry and couplets..it was a refined pursuit of beauty on such a magnificent scale that it could not in the end support itself.

The Mughal emperors had unique personalities and interests. What jobs do you think each of them would have had, if he were to live in the present times? (like Jahangir could have been a biologist perhaps).
It is hard to pin the Mughal emperors, who lived in such splendor and grandeur, to a present-day profession, but let’s try..
Babur: A poet and writer.
Humayun: not sure of him. Definitely he appreciated the arts enough to bring
miniature painters back with him from Persia. Lets say an art appraiser.
Akbar: A diplomat and senior statesman, or a strategist for the military, or the
head of a think tank.
Jehangir: Biologist and naturalist, yes, thats a good possibility. Jewelry appraiser, maybe.
Shah Jehan: Architect or designer
Aurangzeb: An interpreter of the law or a craftsman.

Intriguing indeed! Please tell us, what do you like to do apart from writing?
Many things. I work as a technical writer at a biotechnology company. Which means I write documents explaining complex scientific equipment or processes. It’s a different kind of writing from what we’ve been talking about, but it still involves creativity and is very enjoyable.
I also make ceramic tile, which is another area that lets me play with the Mughal, and other Indian, aesthetic. You can see a few samples of my work at flamebacktile.weebly.com. Walks in woods and by streams...making fermented foods like bread and dosa and kombucha...identifying birds in their natural environments...long list.

You are clearly multi-talented! What did you read as a child?
About the same as most other children of my age who went to schools wherein English was the medium of instruction...Ladybird Books, Enid Blyton, Reader's Digest Condensed Books. I wish I had read not necessarily more, but better. What you read is at least as important as how much you read.

Why do you think miniatures are no longer a popular style?
Well, a miniature is a very personal art form, meant to be observed closely, enjoyed within a book or portfolio. Also, many miniatures supported or enhanced text in a book. A miniature is not something that easily goes up on a wall for public display and cannot be enjoyed by several people simultaneously. So I guess that automatically limits its popularity. But that doesn’t mean beautiful miniatures are not being painted. For example, you can see the work of the Singh twins at http://www.singhtwins.co.uk/

We have seen some fabulous interactive displays of miniatures in the Prince of Wales Museum in Mumbai. How can we make our museums more visitor-friendly, especially for children?
For sure I’m not a museum exhibit designer, but many museums around the world create displays that keep children captivated. So surely one can learn some lessons from those. Treasure hunts” in which children look for certain objects or aspects of objects within a collection would be useful.

We loved reading your book, because you have made the art form and its history accessible for children (and some grown-ups too!). How can we make more of this happen?
From what my publisher (Bipin Shah of Mapin Publications) tells me, the economics get in the way. For Captured in Miniature, the fees charged by each museum (in the West) for allowing reproduction were very steep. Considering that the paintings are the patrimony of India and the Indian museums provided rights for little or zero charge! Print runs in general, Bipin says, are small and initial costs high. But recently I read that the ‘young adult’ segment of the book publishing industry is looking up, so maybe things will get better!

Lastly, we want more books like these and hope there are some in the pipeline! Please say there are!
There are book projects in the works, and although not exclusive to children, they promise to be informative and entertaining for young audiences too. A guidebook to Old Goa, the capital of Portuguese India, is at http://www.amazon.com/dp/B00IWZORRW Other projects are in progress. So keep checking wanderindia.weebly.com

Thanks very much Suhag for your time, it has been a pleasure speaking to you! 

(Also thanks to Sandhya for putting me in touch with the author of this wonderful book).

Magic Mirror Books

The Tomb of Time (Magic Mirror series: Book 3)
Luther Tsai and Nury Vittachi
Scholastic India
Ages 8+

The Magic Mirror books have been co-authored by Nury Vittachi. That was reason enough for me to order these books, having read his delightful book The Day it Rained Letters a couple of years ago. The Magic Mirror series is a set of five books based on Asian history; books 3 and 4 are set in ancient China.

Around the time Emperor Ashoka had forty-feet high pillars carved with his inscriptions and erected across his empire, far away in China, there was another Emperor having a mountain made and a city built that he would fill with life-size terracotta soldiers. In The Tomb of Time, we join Marko and Miranda Lee as they travel to ancient China with the magic mirror and land in the Necropolis - the City of the Dead.

Right from page one, it is evident that something is brewing. Mira and Marko are at home by themselves – their parents are away. Their grandfather, a historian, has disappeared. All they have is a cryptic clue from him and instructions to get to 210, the Necropolis and bring back a wooden box. The siblings crack the puzzle and with the help of the magic mirror, head to the mysterious destination. 

They find themselves in 210 BC. Around them are men hard at work, building the Necropolis. The clay people are being carved – there are separate departments for making the limbs, torsos and faces. Within each group, there are further specializations – standing legs, sitting legs, kneeling legs! While the people are not real, the weapons are razor-sharp.

Mira and Marko meet chariot-makers, architects and craftsmen in the ancient city. Emperor Qin Shi Huang is feared by everyone. He had started off as a noble king, unifying the lands and people. Soon, he has all the rules rewritten to suit himself – the rules of physics, the law books. After his encounter with a thousand-year-old magician, Emperor Qin is obsessed with gaining immortality. In his quest for the elixir of life he has hundreds of alchemists eliminated. The emperor banishes his older son, the wise and kind Fusu, and makes his younger son the heir. He has a death paper issued to Prince Fusu commanding him to kill himself.

The writing is excellent, especially the dialogue. The tension keeps building up; there is no slackening in the pace. The kids are eventually caught and trapped underground, their magic mirror confiscated. Will they retrieve the wooden box and accomplish the mission? Will they escape the crossbow-wielding ghosts? How will they get out without the magic mirror?

A riveting story and the author’s note says it is all based on fact, even the minutest details. Such a fun way to learn about the past.

The Wall of Willows (Magic Mirror series: Book 4)
Luther Tsai and Nury Vittachi
Scholastic India
Ages 8+

The Wall of Willows begins where Book 3 left off: Pushed to a corner by the emperor, the alchemists make him a potion of mercury. Having ingested it over a prolonged period, Emperor Qin's time is almost up. On his death bed, the emperor decides to revoke the death paper issued to Prince Fusu and reinstate him as heir.

Meanwhile, at Marko and Mira’s school, an inspector has arrived to investigate. The school has performed remarkably well in the exams, arousing suspicions about malpractice. The teachers explain the improvement – a couple of students had been playing a time travel "game” and received “practical lessons” in Asian history from their historian grandfather. The kids had shared their stories with friends and now everyone was infected. The teachers too had woven the theme into art, English and mathematics. Naturally, the results were outstanding.

Marko and Miro are soon off on another adventure. This time their grandfather has entrusted them with the task of delivering the Emperor's letter cancelling the death paper. The kids set off in search of Fusu who is watching over the frontier while the Great Wall is being built. They reach the Great Wall in 210 BC, when it is just earth and stones. We read about the legend of the Lady of the Wall, Meng Jiang Nu. The kids meet the lady herself and listen to her tell the story of the construction of the wall. Meng Jiang Nu joins the kids as they flee from evil Chancellor Zhao. Read the book to find out how they escape from his clutches and how the kids turn their latest adventure into a history lesson.


Book 5, The Shining Scripture, is set in the year 602. Off to read it now.

[Image source scholastic.co.in]                 
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